~ of “… «ΚΥΜΑ»~’cyma’ ~ ‘INverSa’ ~ or & and ~ ‘reVERsa’ …”

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~ “Τέλος τῆς Γραμμῆς” ~
(“End of the Line”)

by “Μαρία Βουμβάκη”

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[ Note* :
“María Voumváki”
participated the
«ΑΓΩΝΕΣ ΤΡΑΓΟΥΔΙΟΥ Καλαμᾶτας»
(“Kalamáta’s Song Matches”) of “1991”
with “two songs”, and
“End of the Line” was, actUally,
the “last song” that was “heard”
during “the matches” of “that year”

the “Kalamáta’s Song Matches”
“had” «been» «a creation» of
“Mános Hadjidákis”
… #iN “his” EVER «seekiNg» of
«beYond»
the “cosmopolitan voguish”
for
«ΑΛΗΘΙΝΗ» ~ “TRUE”
«ΕΥ~ΦΩΝΙΑ» ~ “euphony” …

many of “the last”, “dare i say”, «EllenoPhone»
«ΕΡΑΣΙ~ΤΕΧΝΕΣ» ~ “amateurs”
(“#ofÉrosArts”),
NON~professional
(“for profit”)
«ΚΑΛΛΙ~ΤΕΧΝΕΣ» ~ “artists”
(“#ofBeautyArts”)
were «hearkened»
(NOT about “seen”)
and “prompted”
with~in these … “matches” …

“María Voumváki”
“received” the “rEcognition” of that “year”, and
by “1993”, her “first published” work, ENtitled
«Μέσα σε Πόλεις και Κύματα ΣυνΧρόνως»
(“{With~}In Cities and Waves Synchronously”)
was, thusly, “iNcluded” within the
«ΣΕΙΡΙΟΣ» ~ “Sirius” record label,
“discography”

«ΣΕΙΡΙΟΣ» ~ “Sirius”
(and “yes, named after” the brightest
«ΑΣΤΡΟ» ~ “star”
with~in OUR «Good eARTh’s»
“Night Heavens”),
is the “record label” that
“Mános Hadjidákis”
“actualised”
(among so many “other
forms” of
“information exChange”
~ «inSight sharing» ~
he “facilitated”)

«Στον Σείριο Ὑπάρχουνε Παιδιά»
(“At [@] Sirius There Exist Children”)
is “the title” of “a poem”, with~in the
«ΑΜΟΡΓΟΣ» ~ “amorgós”
“poetry collection”,
“first published” in “1943”,
by
“Νίκος Γκάτσος” (“Níkos Gátsos”),
~ the “main lyrical co~worker”
of “Μάνος Χατζιδάκις” ~
and, “the quote” is
the «in~Spir(IT)~at~ion» of
the “record company’s” … “appellation”
and, ALL~ways
“accompanyiNg”
the “utterance” of “this”
… “nomenclature” …

the “1991 Kalamáta’s Song Matches”
“had” «been», “all~so”, “i BElive”, the
“last” of “Mános Hadjidákis”
… “attendiNg” … ]

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